An itty bitty analysis on why episode three of A Discovery of Witches is such a gorgeous hour of television.
It’s been a solid four weeks since it’s aired, plenty of stunning footage followed, and yet, I can’t stop thinking about how the untitled episode ends.
Cue, Lissie’s “Go Your Own Way” the most stunning cover of Fleetwood Mac’s original hit I’ve ever heard. Maybe throw a ton of bricks at me, I’d feel less than I did during the scene I’m going to discuss. There’s so much to be said about why this is the episode that sets everything into motion beautifully. (And the episode that had me officially hooked.) Where there’s a formidable hindrance in any relationship, the result of overcoming and giving in to the resistance could go a number of ways, and A Discovery of Witches may have just set the bar too high to meet. Matthew dropping to his knees as an immaculate effort to comfort Diana in a position of overwhelming uniformity showcased his very intentions with her beautifully. Intimacy is more than a physical touch or in this case, a breathtaking first kiss. Intimacy is the choice to share oneself with another — mind, body, and soul. Intimacy is the exhibition of complete and utter vulnerability, gorgeously validating that Diana has, in every way, captivated Matthew to his core — awakening the disposition to love that’s long been dead inside of him. Intimacy is a man with great strength and in this case, a threatening reputation, revealing himself in the form of pure humility in front of a woman he’d risk everything for. There’s nothing he wouldn’t do for her and the physical showcase of malleability brought his heart to life impeccably.
The Guernsey Literary and Potato Peel Pie Society”
“Do you suppose it’s possible for us to belong to someone before we’ve met them? If so, I belong to you or you to me, or me simply to the spirit I found among you in Guernsey. […] And hope that if books do have the power to bring people together, this one may work its magic.”
Yes, yes I do suppose – and that’s certainly the case with a film as remarkably captivating as this one. If you know anything about me, I hope it’s how much I adore a story of triumph and adventure cobbled with a romance that’s to be treasured for all eternity. I’m a complete sap, that’s a given, but The Guernsey Literary and Potato Peel Pie Society is the first period-drama film I’ve ardently adored since Jane Austen adaptations. And that seems oddly fitting because the film’s very own hero/writer is a fan of the beloved Miss Austen, too. Win win. The film takes us on the kind of enamoring adventure of finding oneself through another’s story, and isn’t that how we all find inspiration every now and then? The stories we hear, the people we meet, and the journeys we embark on. The film adaptation of Mary Ann Shaffer and Annie Barrow’s novel of the same title is an exquisite masterpiece filled with a stunning cast and pleasant twists to the story’s original format. The riveting cinematography, astounding performances, and thought-provoking themes have given us something truly great to hold onto.
P.S. let’s just go ahead and declare the summer of 2018, the summer of Lily James, because she’s doing it all, captivating our hearts one wanderlust evoking movie after another. (The first I’m referring to is Mamma Mia! Here We Go Again if that wasn’t obvious.)