2018 Best of the Year Reviews: 10 Characters

For the past few years, this category’s been the most difficult — trying to pick through my favorites without too much repetition from past years and the desire to give other characters the opportunity to be on here as well. But my inability to choose could’ve been due to the fact that there just weren’t that many options in the first place. And this year’s special — in both the TV verse and cinematic. And these ten characters are ones I’m certain I could not love more even if I tried. Some old with exceptional growth and some new pushing me into a state of gratitude for just how great TV’s been this year.

For more end of the year reviews, check out our Top 10 Performers, 10 Relationships and 10 Episodes.

 

The Ladies

  1. Lucy Preston
    Timeless
Timeless - Season 2

Source: NBC

I don’t think there’s ever been a character as adored as quickly as Timeless’ Lucy Preston. And season two pulled the darling historian through the darkest of revelations only to have her come out of it even more generous than before. Lucy’s heart is inexpressible –there hasn’t been a character like her in a while, and it’s been a stunning ride watching her continuously open her heart despite the fact that the one person she trusted most in her life turned out to be the villain in her story. Whether it was fighting alongside the women who were to be executed during the Salem Witch Trials, standing with Suffragette Alice Paul, or welcoming Jessica to the team despite her feelings for Wyatt — Lucy’s benevolence is selflessness in its most evident form. She is nobility personified, for even when she could be choosing for herself, fighting for her own future, the other person’s effect is always taken into deep consideration, too. But the thing I appreciate most about Lucy is that even with all the compassion running in her veins, she’s not one to allow anyone to take advantage of her — she understands that goodness and naiveté aren’t the same thing. She’s fought back when she needs to. She’s cried when she’s been in pain. She’s doubted. She’s believed. She’s gotten excited. She’s shown viewers a wide range of emotions authenticating the fact that women are beautifully complex. She’s many things, but above all, she’s a woman who’s walked through fire and instead of letting it burn her, she’s used it to fuel the good fight instead. She’s walked out with the flames as phoenix feathers — stronger, wiser, and even more compassionate than before.

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Out of the Darkness and Into the Light

An itty bitty analysis on why episode three of A Discovery of Witches is such a gorgeous hour of television.

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It’s been a solid four weeks since it’s aired, plenty of stunning footage followed, and yet, I can’t stop thinking about how the untitled episode ends.

Cue, Lissie’s “Go Your Own Way” the most stunning cover of Fleetwood Mac’s original hit I’ve ever heard. Maybe throw a ton of bricks at me, I’d feel less than I did during the scene I’m going to discuss. There’s so much to be said about why this is the episode that sets everything into motion beautifully. (And the episode that had me officially hooked.) Where there’s a formidable hindrance in any relationship, the result of overcoming and giving in to the resistance could go a number of ways, and A Discovery of Witches may have just set the bar too high to meet. Matthew dropping to his knees as an immaculate effort to comfort Diana in a position of overwhelming uniformity showcased his very intentions with her beautifully. Intimacy is more than a physical touch or in this case, a breathtaking first kiss. Intimacy is the choice to share oneself with another — mind, body, and soul. Intimacy is the exhibition of complete and utter vulnerability, gorgeously validating that Diana has, in every way, captivated Matthew to his core — awakening the disposition to love that’s long been dead inside of him. Intimacy is a man with great strength and in this case, a threatening reputation, revealing himself in the form of pure humility in front of a woman he’d risk everything for. There’s nothing he wouldn’t do for her and the physical showcase of malleability brought his heart to life impeccably.

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