Sanditon’s second episode gives viewers plenty to sit with, good and bad — a jam packed hour full of some riveting moments that touch on the theme of class and judgement bitterly. It’s an episode full of some of the most cringeworthy statements along with some of the most relatable ones, but most exquisitely, it’s a testament to friendship, and Austen’s way of writing steadfast female friendships. If I were in charge of titling the episode, I’d call it “Paddling in the Sea”, for it’s best to describe the first steps into an astounding friendship and the exposure of Sidney Parker’s being, physically today and emotionally tomorrow. It’s an episode that does a remarkable job of shifting plates and allowing viewers to start seeing more sincerity in the characters. Thus finally, it’s an episode that spends a lot of its time discussing the panoramas of marriage and what it truly means to choose a partner.
To kick things off, these are the times I’m glad we no longer live in regency era because goodness every word out of Lady Denham’s mouth during the luncheon had me cringing so hard. (And I love period dramas immensely, but they’re just … so … white … and entitled.) But this is the very episode that lets us see into the hearts of those who matter most because Charlotte, Sidney, and Arthur all coming to Georgiana’s defense is the very showcase of how good natured their spirits are. Sidney’s especially which officially gives viewers a glimpse into his character’s true nature. He didn’t want to be Georgiana’s guardian, but let’s be real, not many would be in the right headspace to be anyone’s guardian during their mid-twenties. And while he grumbles about it, he doesn’t miss the opportunities to remind her of her value, something women in regency era, especially black women, aren’t reminded of as often as they should be. “You know you’re worth far more than Lady Denham and all her circle put together.” Sidney Parker might waste away his days at bars and boarding houses with smoke and self-deprecation clouding him, but at his core, he’s a man who’s fully aware of the strong women he’s surrounded by. It’s also a fantastic showcase of the fact that Charlotte was right in throwing him under the bus about being too cruel despite stating that he doesn’t care. “Think too badly of you? I don’t think of you at all Miss Heywood. I have no interest in your approval or disapproval. Quite simply, I don’t care what you think or how you feel. I’m sorry if that disappoints you, but there it is.” And oh how badly this’ll bite him later on.
“Episode 8” | Sanditon
We’re officially back in business with fall TV and so far, everything’s been utterly pleasing where this writer is concerned, but this week especially, I have not stopped thinking of the Sanditon finale since it’s aired and I’ve only rewatched it about 12 more times after that. (More, it’s definitely been more.)
First and foremost, I need you all to know that period dramas own my soul. That said, the slow but worthwhile progression of a Jane Austen love story is my absolute favorite because when it finally comes down to conversations between the pair we’re rooting for, it’s worth every pining moment — every dramatic event. There are plenty of moments throughout Sanditon’s finale that tug on the heartstrings, but I’m thinking blissfully about Sidney and Charlotte’s conversation on the balcony. And dare I say this might just be my favorite declaration after Mr. Knightley’s “If I loved you less, I might be able to talk about it more.”
“I have never wanted to put myself in someone else’s power before. I have never wanted to care for anyone but myself.” is as profound a declaration of love as the three official words could say. If this is just the first season, I can’t even imagine what will follow, and to be perfectly honest, I’m not ready for the emotions it’ll put me through it. (Just kidding, I’m 364% ready. Bring it. Give me season two stat.) There’s a great deal to be said about the bravery the affirmation conveys because such vulnerability coming from a man as jaded as Sidney promises far more than any ring ever could. And that’s essentially what makes me so hopeful for what’s to come. While words without actions can be insignificant, there’s still great prominence when the choice to be unreservedly sincere is coming from a man who’d long before promised never to love again. Sidney Parker, detached, damaged, despondent, made the conscious choice to give love one more try because the woman who stands before him brought a sense of indescribable purity back into his life — innocence and eagerness. The yearning to live beyond his needs in order to ensure that the best version of himself is worthy of her time and adoration. Any and all declarations take courage, there’s no questioning that, but it’s what he means that screams beyond the words he speaks. There’s nothing he wouldn’t do for Charlotte, no ocean he wouldn’t cross, no deal he wouldn’t make, no place he wouldn’t go. At the end of the day, it’s all for her. It’s all for her because his sole ability to love again is entirely due to her goodness, her innate curiosity, and the fearlessness in which she alone challenges him with.
“There is nothing like staying at home for real comfort.”
— Jane Austen | Emma
Chawton, Alton, U.K. a quaint little house that inspired noted 18th century English novelist Ms. Jane Austen. The house Austen finally finished publishing her first three pre-written novels while the inspiration struck to continue creating. When I learned that the actual house was converted into a museum open to the public, it became the number one place I wanted to visit in England. And earlier this summer, I was given the opportunity to do so, which resulted in an unforgettable experience.
The World of Jane Austen
On this episode of Marvelous Geeks, I sat down with my amazing cover artist and good friend, Jenna Guidi to talk about our favorite aspects of Jane Austen’s world. She caught up on the stories so quickly, I had to get her on to discuss it all. Listen in to see who are favorite ladies are, our favorite ships, places, books, shows, movies, and more.
Intro Music: Derek Murrell (http://instagram.com/derekhmurrell)
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