“Life of the Party” and “Monsters” | Agent Carter
“Life of the Party” and “Monsters” | Agent Carter
A badass queen who’s now twice as remarkable, a new city, new characters, impeccable banters, and good ol’ fashioned drama.
Episode Summary: Dottie Underwood is still causing havoc, but now she’s disguised as Peggy. When a body’s found in a block of ice, Los Angeles based S.S.R Chief Daniel Sousa calls Thompson for backup and gets a surprise when Peggy’s sent in. In an attempt to uncover the body’s strange form of decay the two visit Isodyne Energy in order to access more information and here we have the pleasure of meeting Jason Wilkes (Reggie Austin). We later get to meet this season’s big bad husband and wife duo Calvin Chadwick (Currie Graham) and Whitney Frost (Wynn Everett). It also appears as though the thing otherwise known as Monolith will bring a lot more eeriness to the cases, but thankfully we’ve got Jarvis’ delightful wife Ana (Lotte Verbeek) to lighten and brighten the vibe.
Review | Analysis: Both “The Lady of the Lake” and “A View in the Dark” were solid episodes that not only did a wonderful job of setting the rest of the season in motion, but it was able to effortlessly evoke all sorts of emotions. And in my book these are the kind of episodes that make writing genuinely fun. Although it was a bit overwhelming for a moment in the beginning, the new characters feel as though they belong. The biggest flaw in these episodes however was the absence of Lyndsy Fonseca’s Angie Martinelli, but thankfully she won’t stay gone too long. And while I’d normally object to any sort of a love triangle, it seems as though Agent Carter writers have found a way to tastefully execute a much more entertaining version of what I like to call #HowIMetYourFather.
LA always appears much more magical in the 1940s — Hollywood was the place to be and glitz and glamour was a marvel to be exposed to. Palm trees, pink flamingos, and what feels like 365 days of sunshine plus dry heat aside, it’s beautiful to be witnessing a more open and happier Peggy Carter. Her life still isn’t as easy it should be, but she’s no longer carrying the weight of the world on her shoulders and though the trouble in LA will be far worse than it was in New York, it’s clear we’ll be witnessing what’ll be an elegant illumination of the fact that with confidence, solid partnerships, and honor there’s nothing that can’t be done.
Tonight’s episode of Agent Carter wasas fierce and as heartfelt as ever with unexpected twists that left uswishing time machines existed.
Episode Summary: After getting further proof, Daniel tells Chief Dooley that Peggy’s the female in the photographs. Dr. Ivchenko is creepier than ever and not on the side I imagined. Peggy and Jarvis are on the hunt for the trained assassin from Russia’s “Red Room”. Angie covers Peggy’s tracks in the most epic way possible. And after being poisoned by Dottie, the SSR take Peggy in before Dottie can finish off killing her.
Review | Analysis: The incidences of this episode were evidently meant to set up last week, and they were so well established that I’m certain we aren’t prepared for what’s to come in “Snafu”. The episode featured some questionable moments I could’ve certainly gone without (Dooley pouring his heart out to Ivchenko). I want to respect the man considering he’s the Chief, but after every word, I find myself more and more irritated. All that aside, it was fantastic to have James D’Arcy back working alongside Hayley Atwell because there’s nothing quite as entertaining as their scenes together.
Agent Carter continues to prove that it’s one of the strongest, most marvelously developed series in existence. And if you aren’t watching yet, there aren’tmany things I could promise you, but I can guarantee that you will fall headover for this show. Of all the shows I watch and review, this one’s probably the most difficult because it’s legitimately impossible to discuss every little impeccable moment, and if that doesn’t say it’s great, then I don’t know what will.
Episode Summary: When the “magic typewriter” sends out a message in codes, Peggy cracks it and tells to her fellow agents that they’re coordinates followed by a demand for $100,000 payable to Howard Stark. Believing that Stark’s the one who sent out the message, Thompson, Martinez, and Li go to Russia. After much hesitation, Dooley lets Peggy go as well when she gets the Howling Commandos to accompany them. Although there’s no detailed mention of the words on screen, Marvel fans have already realized that Dottie Underwood is not only a part of the Black Widow project, but the agents stumble into the Red Room during their trip to Russia. After seeing Peggy’s scars in the locker room, Daniel’s investigation leads to the realization that she’s the blond woman in the photographs. Neither Leviathan nor Stark are found, but with the help of Doctor Ivchenko, the team is now one step closer to uncovering it all.
Review | Analysis: The episode did an excellent job of reminding its viewers that what’s to come is so far from what we expect. The world is changing, terrible people are out there, and the Black Widow project is pretty damn frightening. Thankfully, in an episode that would’ve been fairly dark, the exquisite humor provided fantastic balance. Apart from all the great and terrifying storylines, the best moments were without a doubt Peggy Carter proving that she’s more badass than anyone can even begin to
We’re halfway done with the first of hopefully many seasons and Agent Carter continues to prove that it’s the best thing Marvel’s done on a small screen.
Episode Summary: Howard Stark returns in order to ask Peggy to retrieve one of his found devices. Dooley takes a trip to Germany in order to speak to an assassin on death row about the massacres that had occurred. Thompson’s left in charge and it’s the worst decision in the world. Sousa finds a witness and learns that a brunette female is involved in the case. Dottie Underwood is most certainly not just the girl next door. And when Peggy learns the truth about what’s inside the Blitzkrieg Button she’s reminded of the promises she’d made to become someone she hasn’t been in a while.
Review | Analysis: There is no show on this planet that simultaneously makes me angry and happy. And there is no character on television I loathe more than Jack Thompson. That said, what the rest of the show’s done with this week’s episode was wonderful. Cooper and Atwell are the perfect partners for one another when playing such distinctive characters. And when it comes down to the kind of emotional scene they ended with, the two actors were most excellent.