I bet this isn’t the first of these articles you darling readers will see and it certainly won’t be the last. We’re here to give you some of our current favorites, older favorites, and shows that’ll essentially keep you busy. We all make a list throughout the years, but never get through it right? Well, now’s the time! I’ve broken it down into two simple categories: dramas and comedies and some dark comedies, too. If there are any specific genre recommendations, feel free to reach out to us.
- Sanditon (2019–Present)
Network: Masterpiece PBS
Sanditon has been a loud presence here at Marvelous Geeks since October and we’re not mad about it. It’s the show everyone and their mothers should be watching especially those into period dramas. But in all seriousness, I made my mother watch it, too. (And she loved it. There’s only one other show she’s loved entirely, too.) Sanditon is the story of Jane Austen’s unfinished novel following heroine Charlotte Heywood (Rose Williams) to a small resort town where she finds love, friendship, and to quote “the greatest adventure of her life.” It is the stunning love story that involves an impeccably kind but jaded man and an incredibly brave resourceful woman navigating through their clashing vigor only to realize that they’re each other’s perfect match. “It’s the compelling story of humanity and how we operate amidst judgements and mistreatment. It’s the love stories between polar opposites that found laughter with each other and kindred spirits who’ve healed each other of all darkness within. It’s colorfully complex characters arguing over money, regattas, and pineapples? It’s the period drama you won’t want to miss because unlike ones that have come before it, it’s deliciously enticing and even in the midst of the quiet serenity, there’s gorgeous storytelling happening. There are a plethora of reasons why Sanditon is a show I’d recommend to anyone, here’s an entirely separate list of 10 reasons why you should give it a go.”
Part I and Part II
11 years and 22 movies have amounted to one of the most beautiful cinematic experiences of our time – a journey, I could not be more grateful to have experienced alongside so many marvelous geeks. This isn’t the first or last time the Marvel Cinematic Universe will be featured, but there’s something about these initial reactions that are so unbelievably special to us. So much of what we’ve watched through the years has built up to this moment in exquisite fashion and we cannot believe the utmost satisfaction we’ve felt at the end of Avengers: Endgame. We’ve got a ton lined up for the end of phase three and what might just be our favorite film in the universe so far, but for now, this two part episode review will do. Our first initial thoughts and reactions. The attempts to wrap our heads around the masterpiece that we’ve been fortunate enough to witness live. It’s been a blessing in so many ways and we’re in complete awe. Avengers: Endgame wasn’t perfect, but it’s as close as a film in its genre could come. We laughed, we cried (a lot), and most importantly, we celebrated.
Listen on iTunes Podcasts, Spotify, or Spreaker.
25 Inimitable Men 20/25
Edwin Jarvis (Agent Carter)
#SideKickGOALS. I mean, go ahead, I dare you to tell me someone that’s better — I’ll be waiting. And listen, while we’re normally all for listening to the opinion of others with the belief that no opinion is wrong, when it comes to this question, in the world of television, if it isn’t Edwin Jarvis, the answer is wrong. Sorry not sorry, we don’t make the rules. /End Rant. Agent Carter was the gift that gave us inimitable characters for two beautiful seasons before it was tragically robbed of a permanent home on television. (And no, I will never in my life be more bitter about a cancellation than this.) And in the midst of those exceptional two seasons, we not only got to know Peggy Carter, but we were given the chance to get to know the Stark’s infamous butler Edwin Jarvis. In our short but profound journey with the greatest sidekick in the world, we were able to understand without a single doubt why Tony Stark decided to keep him alive for all these years. See, here’s the thing, Tony Stark and I don’t agree on much, but at least we agree on the fact that Edwin Jarvis is the absolute best. In all seriousness though, friends — in Jarvis we met someone incomparably brave, unceasingly kind, and indescribably wise. We met a figure who’s truly indescribable and whose presence is an undeniable gift in the lives of many.
25 Inimitable Men 18/25
Daniel Sousa (Agent Carter)
He has the kindest eyes to exist, and probably smells like Mahogany Teakwood mixed with gentleness, courage, and unyielding compassion. Agent Carter’s Daniel Sousa is the character none of us imagined to fall so hard for, but through every episode, he proved that he’s in fact remarkably inimitable. There are a number of fantastic characters that go through far more darkness than they deserve to, and some of them allow it to consume while others rise from it. Characters who are torn down and ridiculed but instead of letting the words govern their actions, they use them as fuel to become better, stronger, and kinder. Irish band The Script have a song that’s essentially written for Daniel Sousa and Peggy Carter — you cannot convince me otherwise. “Superheroes.”
“Do not bring people in your life who weigh you down. And trust your instincts … good relationships feel good. They feel right. They don’t hurt. They’re not painful. That’s not just with somebody you want to marry, but it’s with the friends that you choose. It’s with the people you surround yourselves with.”
— Michelle Obama
There’s an unusual idea has been making its way around that’s set on the belief that love in the media is weakness. And perhaps, in the real world though I’ve been fortunate enough never to witness this. You’d think Once Upon A Time’s late Cora Mills is in position of their hearts or something. But there’s no theory or idea that’s more laughable, and I say that with the utmost respect. There are a number of opinions that differ from mine that I could respect, turn the other cheek, and agree to disagree on, but when said idea is damaging and leads to young women believing that strength is coldness and isolation, I draw the line. There’s great bravery in honesty and it takes more courage to be vulnerable than it does to build a wall. It takes more courage to understand and explore our feelings than it does to shut them off. It takes strength to fall into the great unknown with a partner that we’re willing to share our entire lives with. Strength is understanding the difference between right and wrong. Strength is understanding our value and trusting our instincts in every obstacle we face. And when someone is right for us, they don’t take those things away from us, they don’t dim them or lock them away, they welcome them with open arms and admiration.
There are always scenes I’ll find myself replaying — scenes that either broke me or have somehow fixed me. Scenes that may not be thematic masterpieces but rather little moments that set everything in motion. In this final installment of our 2016 Year-End reviews, you’ll find the scenes that have left the biggest impact on me this year. The scenes that I’ve found myself wanting to talk about over and over and over again. The scenes that I considered the loveliest little gems.
And before we part ways until the new year, be sure to check out the incredible choices Nerdy Girl Notes and TV Examined have been writing about.
25 Nearest and Dearest 13/25
Peggy Carter and Edwin Jarvis (Agent Carter)
Agent Carter was a remarkably special series. And while Peggy Carter’s presence alone was enough to keep viewers constantly engaged, I also found myself completely enamored with the friendships the series explored. Peggy Carter’s an agent unlike any other, but even the toughest souls need someone to lean on. And Peggy knows a few great souls: the ridiculous genius Howard Stark, the kind and loving Daniel Sousa, the incredible ray of sunshine Angie Martinelli, the sweet Ana Jarvis, and the noble Jason Wilkes. Bottom line is, Peggy would never be alone. However, it was her partnership with the one of a kind Edwin Jarvis that continuously managed to resort me into an emotional wreck. From the very beginning, the two understood one another. And because of that very understand, they effortlessly inspired a kind of growth in each other they would’ve otherwise not been able to find.
I feel as though the episode should’ve been titled “Hollywood Beginning” instead.
Episode Summary: “Hollywood Ending” picks up six seconds after “A Little Song and Dance” ends, but the enormous explosion is surprisingly not Jack’s fault. Howard Stark returns and with the help of his (strange) friend Joseph Manfredi, the team manages to beat Whitney in her game. Zero Matter is permanently removed from both Jason and Whitney. Peggy chooses her happy ending. Ana Jarvis returns home. And Jack’s left in a critical state with Peggy’s files in an unknown man’s hand.
Review | Analysis: “Hollywood Ending” did what Agent Carter does best; it reminded its viewers of the importance of unity while keeping a wonderful balance between heart and humor. I have no plans to write about this season finale as though it’s the end because much like Ana Jarvis, optimism runs heavily in my veins. There’s a lot to be appreciated about this particular finale, and it’s mainly due to the fact that through each and every character we met last year, we’ve seen palpable growth (except maybe in Howard, but we all need that one ridiculous friend, right?). And that’s precisely why we need to move forward with the series because there are still countless stories to be told.
The reason Agent Carter is Marvel’s most inexpressibly unique series is because of how well it works around its characters in the 1940s. It’s without a doubt one of the most female dominant series, but it’s also the one that promotes the significance of equality most eloquently. And that not only comes from the fact that each of its characters fit into the storyline, but the writers know how to give us profound moments in the most subtle ways. If this were any other series, the finale would’ve felt anti-climatic, but for Agent Carter, it works. I did however feel as though there wasn’t enough Peggy and that may have actually been the biggest flaw.
However, the most important component the finale dealt with is Peggy Carter’s happiness. And that’s fundamentally what this series has always been about. Yes, Peggy’s an incredibly strong female agent at a time where the men don’t see her fit, but at the end of the day, it comes down to her moral compass and happiness — the importance of choosing for ourselves and moving forward with honor despite what the world attempts to throw in our paths.
Does anyone else feel as though they’ve just gotten off a wild roller coaster?
Episode Summary: There was a lot of double crossing and way too many plans to keep up with, but the best news is, Ana Jarvis is alive. Peggy and Jarvis argue over everything that’s occurred making their friendship even stronger than before. Dr. Samberly and Rose return to help our heroes. Jason Wilkes is strong with the force, but Whitney Frost isn’t. Angie Martinelli (Lyndsy Fonseca) returns in a dream sequence to help Peggy with her difficult decisions. And in the end, it appears as though Zero Matter has completely consumed Wilkes.
Review | Analysis: “The Edge of Mystery” and “A Little Song and Dance” were superlative episodes continuing to remind viewers of the fact that Agent Carter is a series that knows how to keep a proper balance between an ongoing plot and character development. It’s also the series that tackles prominent issues in a way that allows us to understand things we may not have otherwise on much profound levels. It’s about learning to lean on other people with each and every character contributing something exceptionally unique. And if these two episodes were to teach us to anything, it is that we must learn how to take responsibility for our actions. The choices we make determine the kind of person we are, but above all, it’s how we react to the consequences of our choices.
“Life of the Party” and “Monsters” | Agent Carter