“Let everything happen to you
Beauty and terror
Just keep going
No feeling is final.”
― Rainer Maria Rilke
Where do we even begin, darling readers? Welcome to the final Sanditon weekly rundown for the season. This is a tough one. I’ve got my tea ready and I hope you’ve got yours, too because we’ve got a lot to cover. This is a season that focused on sincerity and until its final episode, it delivered. It’s a show that wasn’t meant to end at the very moment it did, so here’s to hoping the viewership at PBS is enough to grant us a second season or even a crowd funded film. Firefly got it, Miss Fisher’s Murder Mysteries got it, Timeless did it. It’s possible. Sanditon is an incredibly special show that turned the Jane Austen universe upside down in a way that worked wonders — regency era had a lot of fire and spark in the midst of the seemingly put together world of high tea and country sides. This is an episode that touches on past episodes so intricately, it’s gut-wrenching. For what it’s worth, we were forewarned about all this, as mentioned in previous episodes, the narrative has been leading to these very moments with the seeds it’s planted throughout. What goes around comes around, we’re always told to be careful what we wish for, but to be human is to make mistakes — to be human is to feel every emotion through and through until our time comes.
“Without a quality of affection, marriage can become a kind of slavery.”
This is a love story. Sanditon is the story of a small, resort town full of colorfully complex nincompoops. (Lady Denham’s words, not mine.) and it’s a story of agency, profoundly broken characters finding solace with one another when they’re given the chance to choose the kind of life they want to carve out. It’s a great adventure that touches on the trials of love reminding us all of how precious it actually is when we find it — romantic or platonic.
Welcome to Sanditon weekly, darlings — this one is going to be a bumpy ride so buckle up and maybe bring back the spiked tea. There’s a great deal to unpack with this episode, for it deals with perhaps some of the most human struggles to date. What does it mean to see ourselves through another’s perspective? Are we defined by the decisions we’ve made in the past or are we defined by the labels that are given to us? Or do we define ourselves with the choices we make every single day? It’s a never-ending struggle because even when you are certain of who you are and you’re proud of who you’ve become, outside opinions cannot always be ignored. Sometimes they should be, other times, they should be taken into consideration. However, I’ve yet to hear of a single human who’s mastered the art of not allowing another’s opinion to get to them, if they have, I’d like to meet them. And as we’ve gathered by now, the people in Sanditon don’t shy away from their opinions.
The season’s penultimate episode is a strong compilation of imperfections and the art of being a confidant. Sometimes, all a person really needs is just one other to believe in them, one person to see them as they truly are, for it is that very belief that inspires us daily. We aren’t meant to be alone — the connections we make throughout our lives intricately shape us into the people we become. The untitled episode — let’s deem it “Love and Friendship”, (An homage to another Austen novel, see what I did there?) leaves us with a lot to ponder on; human connections, and the various perceptions we have of ourselves.
Welcome to Sanditon weekly, darling readers — the tropey-est, most exhilarating episode yet, we’re two away from the season finale and things are getting deliciously captivating. It picks up right where we left off last week with Charlotte on her way to London in hopes of finding Georgiana, except what she finds instead is Sidney on the same mission. And who doesn’t love an unplanned trope filled mission? All that was missing the necessity to share a bed because they were stranded somewhere with no other option, but I get it, I get it. It isn’t very Austen-esque. Lady Denham is now bed ridden and once she reveals that she’s already got her will ready to go, Edward and Clara make it their goal to find it. It’s the episode where we finally meet Lady Susan, a character who’s able to steal the entire show in the less than five minutes of screen time she has. To be that legendary, I wish I could relate.
It’s an episode that solidifies the fact that in spite of the tough exterior, Sidney Parker really is a good man — a sincerely warm being with a great amount of compassion flowing through his veins. At his core, he’s a giving man, as Tom explains in detail, he wasn’t always a conundrum. As we learn towards the end of the episode, Sidney was once engaged to be married, but because she left him for an older, wealthier man, it broke his spirit entirely. And after all the debts he acquired on a self-destructive path following his heartache, he set off to Antigua in hopes of finding something more. But as we learned last week, the man that left for Antigua returned possessed by guilt, regrets, and overpowering heartache. And that very man is the Sidney Parker we know today, the one who’s trying desperately hard, but failing to succeed as a result of the bottled rage that lives inside of him. (Is anyone else crying because I’m already choking up here imagining just how much the heartbreak destroyed him.)
“Manhunter” | Brooklyn Nine-Nine
Welcome back to this year’s first Most Exquisite TV Moment — Brooklyn Nine-Nine is back and with it unsurprisingly returns my muse for this segment. God, I love this show. Its return brought us one of the sweetest, most intimate moments between Jake and Amy and I am a beaming wreck of emotions. Is there anything better than casual intimacy? No, no there is not. Is there anything better than the possibility of a Peraltiago baby in the future? Also no. It’s everything that’s good and pure in the world. (Title of Their Sex Tape.)
Jake and Amy’s relationship has evolved so beautifully: between their moments at work and the quiet moments at home, they’re navigating through life together with such a stunning balance between fervor and tender warmth, it’s always a treat to watch. If I’m this emotional over a scene like this, do we even think I can handle these two as parents? I’m gonna be an absolute blubbering wreck of emotions. Give it to me now.
The 92nd Academy Awards are right around the corner and for the first time in a long time, my schedule actually permits me to write an article like this. Huzzah. Now remember these are my personal thoughts, which we’re all entitled to.
1. Little Women
Adapted Screenplay By: Greta Gerwig
Directed By: Greta Gerwig
Little Women is without question, my favorite film of the year, quickly landing itself into my Top 10 of All-Time (A ranking I haven’t actually done yet, but I know it’s there. Ssh.) It’s a timeless story for all ages and I never want to stop singing praises for Greta Gerwig and the entire cast who’ve managed to bring out parts of the March women that previous adaptations didn’t get to. It’s a story that focuses on mothers and daughters, and sisters alongside love showcasing just how the relationships in our lives could inspire the people we choose to become. Times have changed and there’s a lot of dark media in the world right now, but I’m happy to know that there’s still room for families, romance, and stories that end with profound hope. This is the kind of writing that made me fall in love with storytelling when I was a little girl, and for that I’m grateful. It’s vulnerable, it’s sincere, it’s potently moving and perhaps, my favorite part of this version is the bold reiteration of the fact that all our dreams, despite how simple or complex, matter. A woman’s choices and the narratives she carves for herself are always important. It’s brilliantly acted, astoundingly directed, and dare I say, perfectly adapted. It’s my Best Picture choice and I’ll stand by that belief to the end of time.
That cricket match alone calls for some spiked tea, darling readers. Welcome to another episode of Sanditon weekly where we’ve sadly made little progress, but the series is continuing to reiterate the importance of transparency in relationships. The significance of being open and honest with our beliefs is essentially the very thing that strengthens us as humans, too. It’s what allows situations to flow smoother as opposed to falling apart as drastically as they do in this episode, but for the sake of angsty television, it works in creating riveting, deliciously fun storytelling along with some heartbreaking arcs.
Humans having an aching desire to always want more — a desire to explore, to give in to their curiosities, and fundamentally, the right to live as they’d please. But along with those desires comes the necessary consideration regarding those around us, the understanding that we must treat people as we’d like to be treated and that in our honesty, we’re crossing bridges with far more nobility than deception. To kick things off let’s touch base with Georgiana and breaking down her character’s desire to see Otis beyond the restrictions against their relationship. Oh to be young and in love, I can’t say I don’t understand it. I also can’t say that I probably would’ve made different decisions – there’s something exciting about forbidden romances, it’s tropey goodness, but in reality, there’s a lot more to consider than our feelings along with the broken hearts we have. And as mentioned last week, choosing to keep Charlotte in the dark is the choice I don’t agree with, it’s where the importance of transparency comes in because if she’s willing to help as best as she can, she deserves to be in the loop with the decisions that are made. That’s why the decision to run off on her own when the decision was that Charlotte would accompany them is something that’s going to backfire in a number of ways. It’s not fair for what it basically leads to is Charlotte harboring guilt for stepping in Tom’s place during the Cricket match.